the socializers

The Psyche and Social Networks

Social networks and media are templates for humanity to develop multi-dimensional/spiritual abilities. Greek myth is just one “instruction manual” for application of this metaphor. One could identify the JOURNEY of BOTH the individual AND the community in social networks WITH Psyche’s journey toward Eros in the Greek myth of Psyche and Eros. For the Greeks, the essence of Eros is the unfoldment of human thought, and in Greek philosophy, he is described as a liberating agent who releases and activates the creative process of the mind. Eros inspires and opens the channel of intuition to the higher and abstract understanding and communion with beauty and truth. The myth of Eros and Psyche describes in detail the inner process of transformation.

One could identify the JOURNEY of BOTH the individual AND the community in social networks WITH Psyche’s journey toward Eros in the Greek myth of Psyche and Eros. For the Greeks, the essence of Eros is the unfoldment of human thought, and in Greek philosophy, he is described as a liberating agent who releases and activates the creative process of the mind. Eros inspires and opens the channel of intuition to the higher and abstract understanding and communion with beauty and truth. The myth of Eros and Psyche describes in detail the inner process of transformation.

To begin, here is a shortened version of the tale:

ONCE UPON A TIME there was a king with three daughters. They were all beautiful, but by far the most beautiful was the youngest, Psyche. She was so beautiful that people began to neglect the worship of Venus, the goddess of love and beauty. Venus was very jealous, and asked her son Cupid (the boy with the arrows) to make Psyche fall in love with a horrible monster. When he saw how beautiful she was, Cupid dropped the arrow meant for her and pricked himself, and fell in love with her.

Despite her great beauty no-one wanted to marry Psyche. Her parents consulted an oracle, and were told that she was destined to marry a monster, and they were to take her to the top of a mountain and leave her there. The west wind took her and wafted her away to a palace, where she was waited on by invisible servants. When night came her new husband visited her, and told her that he would always visit her by night and she must never try to see him.

Although her invisible husband was kind and gentle with her, and the invisible servants attended to her every desire, Psyche grew homesick. She persuaded her husband to allow her sisters to visit her. When they saw how she lived they became very jealous and talked Psyche into peeking at her husband, saying that he was a monster who was fattening her up to be eaten and that her only chance of safety was to kill him. Psyche took a lamp and a knife, but when she saw her beautiful husband, Cupid, she was so surprised she dripped some hot wax onto his shoulder, waking him. He took in the situation at a glance and immediately left Psyche and the magnificent palace she had been living in disappeared in a puff of smoke.

Psyche roamed about looking for her husband, and eventually in desperation approached his mother, Venus. Still angry, the goddess set various tasks for Psyche, all of which she passed, with a bit of help from ants and river gods. At last Cupid found out what was going on, and he persuaded Jupiter to order Venus to stop her persecution of Psyche. Then they were married and lived happily ever after – and it really was ever after since Psyche was made a goddess.

According to JEAN SHINODA-BOLEN“In the Greek myth of Eros and Psyche, Psyche’s story is about the growth of the soul that began with her decision to face the truth, and led her to being on her own, challenged to complete tasks that were initially beyond her ability to perform. In the myth, her unseen bridegroom would come to her in the dark of the night and be gone by morning. Metaphorically, she was in an unconscious relationship. Fearing that he could be a monster, Psyche followed her sister’s advice, hid a lamp and a knife, and waited until he had fallen asleep. She needed the lamp to see him, and the knife to cut off his head if indeed her were a monster.”

“These two symbols, the lamp and the knife, are both necessary for a psyche–for a soul–to act decisively when we know the truth. The ‘lamp’ is a symbol of illumination, of consciousness, the means of seeing a situation clearly. The knife, like the sword, is a symbol of decisive action, of the capacity to cut through confusion. The lamp without the knife is not adequate; it is insight into the situation with the capacity to act upon this perception.”

“Myths and symbols are in the language of the soul. A myth helps us to take a situation to heart and know what we must do: if it is to see the truth and act upon it, then the image of Psyche with her sword provides a magic perspective. A symbolic object can then be a talisman that helps us to do what we need to do. Like passing a literal torch, these are rituals that empower us by infusing an act with a deeper meaning. To think and act this way is magical, metaphoric thinking that can call forth the qualities we need from within ourselves and may also tap into sources of help that lie beyond us.”

I submit that the social fabric of the internet IS the fabric of humanity’s collective soul. I also suggest that the tale of Psyche and Eros is a template for one’s journey into the complex eco-systems of social networks. In keeping with this metaphor, one has a real working metaphor that may act as a template, NOT ONLY for the INDIVIDUAL but also for the BRAND andCORPORATIONBrian Solis’ Behaviorgraphics images the action of one who gets how to access the heart of this collective digital environment. Pair Behaviorgraphics WITH his Conversation Prism and you have a philosophy of engaging not only a customer, a competitor and a market BUT also one’s own unique gift and contribution to the world at large.

I submit that Psyche’s journey and the tasks she undertook to reach Eros IS a model for successful engagement by a BRAND of its target audience.

What were her tasks and HOW does this look from a marketing standpoint?

a)  SORTING OF THE SEEDS: Intelligence gathering and listening. Psyche’s first task is to sort all the seeds that are heaped up in a room. This is a wonderful metaphor for all of the possibilities before a brand. Sorting the seed is really taking stock. What are all of the seeds of possibility in the psyche of your brand? What belongs where? WhichFacebook Groups, Key Influencers in blogs, Twitter, YouTube channels and in forums are worth engaging with? (read more on the importance of listening to the social fabric of the internet)

b)  THE GOLDEN FLEECE: Timing and correct audience for an offering. The second task of Psyche is to get some golden fleece from the violent rams of the sun, gather a small amount of it, and bring it to Aphrodite. This takes strategy. Some of the best examples of effective strategists come from the extremely competitive environments of sports and warfare. Military strategy in particular provides a template for marketers as they move out into the social fabric of the internet and command a particular market space. Here is a simple outline of HOW to move into the social space of the internet for enterprise-level businesses. And here is THE template for SCENARIO PLANNING straight from center of military strategy 101.

c)  CRYSTAL GOBLET OF WATER: Developing content that has depth and purchase with an audience. In the myth, Psyche has to deliver something of great value that is actually from the shadow realm – water from the River Styx: an image of being quenched by “hidden” wisdom and all the value such a quenching entails. This is the basis effective and engaging content theory: original, living/breathing messaging that comes from a place of depth.

Great content contains effective memes, or word-creatures, the weavers of this living tissue that we call the social fabric of the internet. Quotes, one-liners and personal news in the form of tweets and status updates are examples of word-creatures that move through individual and communal minds/hearts to what end none of us may ever know. These thought-animals consume the attention of a community, grow larger, and move deeper into the texture of the community.

Eros IS a powerful archetypal force in the action of these thought-animals. Civilization is a process in the service of Eros, whose purpose is to combine single human individuals, and after that families, then races, peoples and nations, into one great unity, the unity of mankind. Why this has to happen, we do not know; the work of Eros is precisely this. Great content is informed by the greek god Eros. It is lyrical and attracts.

d)  PERSEPHONE’S BEAUTY: In her fourth task, Psyche descends into Hades to retrieve some of Persephone’s beauty for Aphrodite. Psyche is given a box to carry the beauty in. To do this task requires incredible focus and compliance with a list of complicated instructions – things to do and NOT to do.

Again, with this task, we return to the psyche’s connection with what is real for an audience: image vs. reality, the cover of a book vs. the full text, and an engagement + lifetime relationship with the customer developed. In the fourth task, it could be said that Psyche undergoes a kind of ego-death in order to serve love. This love of the demographic we are marketing to really captures the identity of today’s most effective marketers. Immersion in the “underworld”, in the shadows AND beauty of the target customer within that demographic gives a marketer insight and a kind of hypnotic power over the audience. To know a demographics shadow, both in negative and positive potential, yields a FULL knowing of the OTHER. The value of understanding what is “hidden” within a demographic’s collective psyche is priceless. A fabulous example of such an exploration may found in books like Karma Queens, Geek Gods and Innerpreneurs: Meet the 9 Consumer Types Shaping Today’s Marketplace. In this book, the author has delved deeply into the internal complexity of his market’s psychic complexion and the result is a fantastic study of that demographic. Read it!

To continue, Psyche goes all the way with this fourth task and is brought back to life through Eros’ kiss in the end. The image here is of giving oneself IN SERVICE and doing EVERY single action required to reach the center of the customer’s heart.

A fabulous condensation of HOW social business pros REACH THE CENTER OF THE CUSTOMER’S HEART, with REAL case studies, has been assembled by ANN MACK (Director of Trendspotting at JWT Intelligence) in her June 2010 Social Media Checklist. Ann has identified 18 global experts in social business integration and outlined the  powerful process of ENGAGEMENT, the heart of social business practice! Another recommended read!

Transmedia, OnDemand and the power of listening to audiences

By Nathaniel Hansen, CEO, The Socializers

If more Marketing Managers at Fortune 500 companies/major media companies truly understood the potential of future media delivery channels like GoogleTV PAIRED WITH “content-informing-intelligence”, there would be a mass re-organization of dinosaur-age ad/marketing agencies whose teams have yet to even train in social monitoring/intelligence tools AND have none of the talent-identification capabilities that a CAA or William Morris has. Those same Marketing Managers would then turn to social business agencies for the following process:

(a) pre-product dev intelligence gathering/listening,
(b) demographic-savvy content/product design RELATED TO what is discovered/analyzed from conversations in the social fabric of the internet,
(c) Relationship Architecting with related Social Strategy to identify ideal Key Influencers (and their content), thus paving the way for seamless and swift introduction of said content into the fabric of communities hungry for it,
(d) on-going listening that creates a virtuous cycle of this process.

The future leaders of transmedia will use the process above as just one of their approaches in expanding possibility for those who interact with media, advertisers, media/content producers AND communications entities. Transmedia and the associated processes that will bring this fabulous new way of interactive relationship to programming IS the future of CONTENT IDENTIFICATION AND PRODUCTION.

Colin Donald of FUTURESCAPE.TV says it best in the following comment on an article entitled Struggling for control: The humble channel-zapper is evolving in ways that will shape television’s futurein a recent edition of The Economist magazine:

“Internet-connected TVs lead to massively increased choice and require next-generation EPGs to help viewers navigate the wealth of content.

One solution backed by many in the industry, like Rovi, is to develop social EPGs that let friends recommend TV shows and videos to each other, via social networks or via systems which use data from social networks.
However, the implications are even more radical than your article suggests.

When Futurescape.TV recently researched this nascent social TV sector, we concluded that Facebook and Twitter are already battling for key roles in the TV industry as Internet-connected televisions transform TV into a social medium.

The two social networks have an actual or potential commercial role across the entire TV value chain.

For instance:
Global pay-TV, estimated at $250bn in 2014, needs social recommendation and discovery services because these encourage viewers to subscribe to more expensive packages and buy more video-on-demand – Facebook and Twitter are both major providers of social data.

Facebook in particular has a highly developed social graph of people’s relationship with entertainment content, from the ubiquitous Like button, integrated into many broadcasters’ Web sites. Both it and Twitter own considerable, detailed data about people’s behaviour, such as discussing TV shows and sharing links to videos.

As your article described, set-top box middleware and EPG providers similarly need social network data for recommendation and discovery – the European EPG market alone will be worth $555m by 2014.

TV manufacturers’ strategy to provide video-on-demand direct to viewers also requires social recommendation, while their connected TV apps enable viewers to interact with Facebook and Twitter on home TV sets. Facebook aims to tap the $180bn worldwide TV ad market, competing with broadcasters for brand advertising – Google TV and similar Web-on-TV systems will put Facebook and Twitter targeted ads on TV screens.

Facebook and Twitter buzz affects TV ratings, while broadcasters that use the social networks for viewer engagement are effectively sharing their audiences with them.

The social networks know in real time how people react to TV programming – this is an essential supplement to Nielsen-type viewing data.

Integrating social networks with EPGs is only one manifestation of a profound and permanent change in the television industry, a change through which Facebook and Twitter are positioning themselves as major industry players.”

The teams working on Oprah’s new cable channel and on eBook sales strategy at Bertelsmann’s Random House are contending with issues related to the new possibilities in transmedia and how to make content delivery platforms lucrative for their shareholders WHILE giving users the most flexibility in interacting with their portfolios of content. Those media publishers who acknowledge the value in being customer-centric vs. product-centric in their offering AND develop platforms that allow maximum interactivity WILL win!

To quote Ali Valdez, a senior Microsoft sales leader, “Their customers will be their marketers. Their customers’ social network friends will be their new customers. Full transparency, good and bad, will drive innovation and competitive pricing. The consumer will win. Those brands that enable consumer victory will share in the bounty.”

TO SUM UP: Combining research from tools like Recorded Future, the world’s first temporal analytics engine (a video intro to Recorded Future here), and Radian6, a leading social media/network monitoring solution, media companies now have the opportunity to LISTEN to audiences that have OPTED OUT of traditional marketing channels and are OPTING INTO new, socially chosen/recommended channels. They then are able to match valuable information from conversations within the social fabric of the internet WITH market trends and probable future events to create product/service/content offerings with previously un-paralleled precision. Existing portfolios of content may be re-purposed into countless monetizable and USER-GENERATED interactive communities.

Understanding the future requires observation and listening and it is a Chief Customer Officer who will teach this to marketing staff, brand managers and community managers.

Robert Boyle's prophetic 'wish list' made in the 17th Century

Robert Boyle’s prophetic ‘wish list’ made in the 17th Century. Boyle was founder of the ”Invisible College” at Oxford University.

(Thanks to George Ure in the Predictors Group, the LinkedIn Group for RecordedFuture, a new temporal search tool that “searches the future”).

”The Prolongation of Life” – health improvements mean we are now living longer.

”The Recovery of Youth, or at least some of the Marks of it, as new Teeth, new Hair colour’d as in youth” – Botox, plastic surgery, teeth-capping, hair dye, transplants.

”The Art of Flying” – planes.

”The Art of Continuing long under water, and exercising functions freely” – submarines and scuba gear.

”The Cure of Diseases at a distance or at least by Transplantation” – transplants and keyhole surgery.

”The Emulating of Fish without Engines by Custome and Education” – free diving.

”Strength and Agility … exemplify’d by that of Frantick Epileptick and Hysterical persons” – steroids.

”The Acceleration of the Production of things out of Seed” – GM crops.

”The making of Parabolicall and Hyperbolicall Glasses” – spectacles and telescopes.

”Making Armor light and extremely hard” – Kevlar.

”The practicable and certain way of finding Longitudes” – satellite navigation.

”A ship to saile with All Winds” – boats with engines.

”Perpetuall Light” – bulbs.

”Varnishes perfumable by Rubbing” – scratch-and-sniff.

”Transmutation of Species in Mineralls, Animals, and Vegetables” – synthetic biology, genetic engineering.

Firmly within a renaissance of expression

The logos of the soul, psychology, implies the act of traveling the soul’s labyrinth in which we can never go deep enough. ~ James Hillman

Social networks are images of this labyrinth and virtual activities are just a fraction of the myriad activities occuring within the intangible fabric of the collective human psyche. Humanity has increasing evidence through the sheer volume of content pumping through social networks of the vastness of the imagination and the soul. The physical size of our Earth is minute compared to the endless worlds contained within the human psyche. Even spending one day searching various videos, photos, songs and events, one may find incredible variety. We ARE firmly within a renaissance of expression.

THE ADVENT OF GOOGLE TV, as one example, opens a fantastic new territory for ANYONE to make money from advertising RELATED to their video content. The major studios ought to run contests in which the world votes who gets to use their equipment to make movies, based upon viewership on Google TV and YouTube. The same goes for music. Humanity IS running itself, thanks to the fantastic inventions now in place for content distribution and collaboration.

It remains to be seen what humanity will orient around. Now that we have Google TV, LinkedIn, GIVEO and Facebook, a catastrophe like the BP Oil spill could be cleared up very quickly simply by harnessing the precision of these tools to (a) spread awareness, (b) identify the experts best suited to solve the issue, (c) garner support for getting the clean-up paid for and (d) following up with prizes and celebration!

THE TABLET REVOLUTION: In the coming 12 months, consumers will see a rapid acceleration in content for both Kindle-type and iPad-type tablets BUT iPad-type platforms will see the fastest climb due to multi-valent, holographic experience possibilities.

What is a holographic experience in the context of tablets and the social fabric of the internet? An example of such an experience in the social fabric of the internet could be as follows: Every tweet and Facebook status update is a blog post title (WordPress, Blogger, Posterous, Tumblr), every blog post a chapter in a digital book (eBook) populated by media, including (but not limited to), photos (Flickr), video (YouTube), music (Last.fm), and footnotes (Slideshare), every digital book a community (Ning), every community contains the full range of archetypal characters (The Conversation Prism), and each of those characters introduces your material to their tribes through tweets, blog posts, etc.

Simply put: BOOKS, AUTHORS, FILMS AND SONGS ARE COMMUNITIES.

The FUTURE OF BOOKS involves dynamic, interactive communities oriented around text as a jumping-off point into worlds upon worlds, all searchable, all monitorable, all monetizable. For examples of how this is true spend an hour reading about the fabulous successes (and failures, which often are the best pre-cursors to success).

So, what does it take to develop such a community? Content, an audience, and the appropriate networks within the social fabric of the internet. Engage in the following important steps for proper social business integration. At each stage, employ appropriate Researchers (Analysts), Producers (Graphic Artists + Writers), Conversationalists/Community Managers (Brand Ambassadors) and Problem-Solvers (Strategists/Techies/Programmers).