Recorded Future

The Golden Age of Video has Arrived! (Or wait, is that, of The Unconscious Realm?)

The game has just begun!

GoogleTV is going to rock the world—powered by Android.
AppleTV is going to rocket the impact of micropayments for content.
Netflix is going to be like Switzerland (sort of)
Boxee (now powered by the Intel Atom Processor) could be the secret GoogleTV hardware platform.
Amazon: Great library – slow tech right now, but they’re paying attention.

SOURCE OF ABOVE PREDICTIONS: RecordedFuture finding this article.

LOGITECH’S GoogleTV BOX: (In answer to the Boxee prediction is Logitech’s GoogleTV box

VARIOUS STREAMING BOXES: Various Streaming Boxes here or on the way soon

Now, as Logitech’s selling script at their GoogleTV site says, “If you can think it, you can watch it! Chances are, you have one of the 60 million HDTVs in the US that are ready. To be smarter. To integrate the full Web and your HD cable or satellite content. To do things no TV has ever done before.”

I submit to the reader that there are literal galaxies of video ALREADY PRESENT in the social fabric of the internet, on shelves, in boxes and, most importantly, in the human imagination. To peer into video IS humanity’s method of peering into that which is not seen or spoken in the workaday world.

Video channels could become as numerous as the grains of sand on the shore. And all of these are windows INTO what Carl Jung calls The Unconscious realm. How is this so? A single music video can carry one far away from the chair one sits in, a movie can transform a life and a single ad can empty the wallets of tens of millions.

STARGATES: Accessing the unconscious realm IS the BIG opportunity arriving with The Golden Age of Video. Why is this an opportunity? We are, each one of us, on a journey of discovery every day, every moment. Video is THE biggest and hottest medium at this time in history and it could be argued that video connects the psyche to that vast and un-ending universe of the unconscious realm, populated by countless entities, pathways and vortexes. Videos act like talismans, or symbols, that represent, as Jung puts it, “stargates that point beyond themselves…(and)…mobilize our psychic energy”.

GoogleTV is an aggregator of Stargates leading directly to the limitless Unconscious Realm.

Birthing potent thought-animals: The importance of memetics in internet marketing

A few days ago,  a friend sent me a link to a YouTube video of teenage boys freaking out on Chatroulette. The video shows various teen boys watching a teen girl tease them. Suddenly she turns into a demon-possessed being. The resulting looks on these boys’ faces is truly priceless.

http://www.youtube.com/watch?v=CNSaurw6E_Q

What is interesting from a marketing standpoint is that just a few days ago on YouTube, this video had 1100 videos. Now it has over 1 million views. For internet marketers, I suggest that the study of internet memes is crucial. To quote Lorrie Thomas, M.A., “It is an art AND a science.” One must have a creative AND an analytical mind, OR at least a team with both/and present.

WHAT IS A MEME?
A meme is a unit of cultural ideas, symbols or practices, which can be transmitted from one mind to another through writing, speech, gestures, rituals or other imitable phenomena. (The etymology of the term relates to the Greek word μιμητισμός (/mɪmetɪsmos/) for “something imitated”.) Supporters of the concept regard memes as cultural analogues to genes, in that they self-replicate and respond to selective pressures.

Francis Heylighen, of Free University of Brussels, writes that successful memes follow three characterstics, which include:

1) copying-fidelity: the more faithful the copy, the more will remain of the initial pattern after several rounds of copying. If a painting is reproduced by making photocopies from photocopies, the underlying pattern will quickly become unrecognizable. 2) fecundity: the faster the rate of copying, the more the replicator will spread. An industrial printing press can churn out many more copies of a text than an office copying machine. 3) longevity: the longer any instance of the replicating pattern survives, the more copies can be made of it. A drawing made by etching lines in the sand is likely to be erased before anybody could have photographed or otherwise reproduced it.

SUCCESSFUL INTERNET MEMES INCLUDE:
Successful internet memes have been seen by anyone who has email or spends even a little time on the internet. Some of the most famous include: (1) Double Rainbow (2) Nigahiga’s YouTube channel (3) David After Dentist (4) Diet Coke and Mentos (5) the phenomenon of Rickrolling (where user is tricked into clicking a link to a music video for the 1987 Rick Astley song “Never Gonna Give You Up”. (6) Lady GaGa’s Bad Romance (7) Justin Bieber’s Baby.

A Comprehensive List of Internet Phenomena may be found here.

MEMETICS RESEARCH and ACTION:

1. GEEKY RESEARCH: Read about Cluster Analysis (just to see how deep and complicated the science really gets). Study Meme-Tracking. Check out Group Formation in Large Social Networks.

2. KNOW YOUR DEMOGRAPHIC: Pay attention to the MAJOR archetypes within your chosen demographic AND their needs. Lots of market research has been done already by major research groups like Forrester, Nielsen, JD Power, and MRI into the buying habits, content preferences and behaviors of your audience.

3. USE LISTENING TOOLS TO SPOT SENTIMENT TRENDS: Listen to trends in the social fabric of the internet AND press-releases using Recorded Future, Radian6, Monitter and some of the new Facebook listening tools like Booshaka, Facepinch, OpenBook, It’s Trending and Kurrently. These tools could jumpstart your creative process. Any social campaign worth its salt has included some degree of listening to the customer PRIOR to launch.

4. BRAINSTORM using BIG pieces of paper and LOTS of flexibility WITH ALL IDEAS that emerge. Get INSPIRED in the Behance community, a fabulous place for meeting peers in the creative space AND to learn fabulous CREATIVE PROCESS TECHNIQUES.

5. A, B, C test your top ideas using landing pages, images, tweets, FB status updates, and blogposts. Notice AND measure response to these communications using Google Analytics, Facebook Insights and Alexa.

Great content contains effective memes, or word-creatures, the weavers of this living tissue that we call the social fabric of the internet. Viral videos like the one above, inspirational quotes, one-liners and personal news in the form of tweets and status updates are examples of word-creatures that move through individual and communal minds/hearts to what end none of us may ever know. These thought-animals consume the attention of a community, grow larger, and move deeper into the texture of the community.

Transmedia, OnDemand and the power of listening to audiences

By Nathaniel Hansen, CEO, The Socializers

If more Marketing Managers at Fortune 500 companies/major media companies truly understood the potential of future media delivery channels like GoogleTV PAIRED WITH “content-informing-intelligence”, there would be a mass re-organization of dinosaur-age ad/marketing agencies whose teams have yet to even train in social monitoring/intelligence tools AND have none of the talent-identification capabilities that a CAA or William Morris has. Those same Marketing Managers would then turn to social business agencies for the following process:

(a) pre-product dev intelligence gathering/listening,
(b) demographic-savvy content/product design RELATED TO what is discovered/analyzed from conversations in the social fabric of the internet,
(c) Relationship Architecting with related Social Strategy to identify ideal Key Influencers (and their content), thus paving the way for seamless and swift introduction of said content into the fabric of communities hungry for it,
(d) on-going listening that creates a virtuous cycle of this process.

The future leaders of transmedia will use the process above as just one of their approaches in expanding possibility for those who interact with media, advertisers, media/content producers AND communications entities. Transmedia and the associated processes that will bring this fabulous new way of interactive relationship to programming IS the future of CONTENT IDENTIFICATION AND PRODUCTION.

Colin Donald of FUTURESCAPE.TV says it best in the following comment on an article entitled Struggling for control: The humble channel-zapper is evolving in ways that will shape television’s futurein a recent edition of The Economist magazine:

“Internet-connected TVs lead to massively increased choice and require next-generation EPGs to help viewers navigate the wealth of content.

One solution backed by many in the industry, like Rovi, is to develop social EPGs that let friends recommend TV shows and videos to each other, via social networks or via systems which use data from social networks.
However, the implications are even more radical than your article suggests.

When Futurescape.TV recently researched this nascent social TV sector, we concluded that Facebook and Twitter are already battling for key roles in the TV industry as Internet-connected televisions transform TV into a social medium.

The two social networks have an actual or potential commercial role across the entire TV value chain.

For instance:
Global pay-TV, estimated at $250bn in 2014, needs social recommendation and discovery services because these encourage viewers to subscribe to more expensive packages and buy more video-on-demand – Facebook and Twitter are both major providers of social data.

Facebook in particular has a highly developed social graph of people’s relationship with entertainment content, from the ubiquitous Like button, integrated into many broadcasters’ Web sites. Both it and Twitter own considerable, detailed data about people’s behaviour, such as discussing TV shows and sharing links to videos.

As your article described, set-top box middleware and EPG providers similarly need social network data for recommendation and discovery – the European EPG market alone will be worth $555m by 2014.

TV manufacturers’ strategy to provide video-on-demand direct to viewers also requires social recommendation, while their connected TV apps enable viewers to interact with Facebook and Twitter on home TV sets. Facebook aims to tap the $180bn worldwide TV ad market, competing with broadcasters for brand advertising – Google TV and similar Web-on-TV systems will put Facebook and Twitter targeted ads on TV screens.

Facebook and Twitter buzz affects TV ratings, while broadcasters that use the social networks for viewer engagement are effectively sharing their audiences with them.

The social networks know in real time how people react to TV programming – this is an essential supplement to Nielsen-type viewing data.

Integrating social networks with EPGs is only one manifestation of a profound and permanent change in the television industry, a change through which Facebook and Twitter are positioning themselves as major industry players.”

The teams working on Oprah’s new cable channel and on eBook sales strategy at Bertelsmann’s Random House are contending with issues related to the new possibilities in transmedia and how to make content delivery platforms lucrative for their shareholders WHILE giving users the most flexibility in interacting with their portfolios of content. Those media publishers who acknowledge the value in being customer-centric vs. product-centric in their offering AND develop platforms that allow maximum interactivity WILL win!

To quote Ali Valdez, a senior Microsoft sales leader, “Their customers will be their marketers. Their customers’ social network friends will be their new customers. Full transparency, good and bad, will drive innovation and competitive pricing. The consumer will win. Those brands that enable consumer victory will share in the bounty.”

TO SUM UP: Combining research from tools like Recorded Future, the world’s first temporal analytics engine (a video intro to Recorded Future here), and Radian6, a leading social media/network monitoring solution, media companies now have the opportunity to LISTEN to audiences that have OPTED OUT of traditional marketing channels and are OPTING INTO new, socially chosen/recommended channels. They then are able to match valuable information from conversations within the social fabric of the internet WITH market trends and probable future events to create product/service/content offerings with previously un-paralleled precision. Existing portfolios of content may be re-purposed into countless monetizable and USER-GENERATED interactive communities.

Understanding the future requires observation and listening and it is a Chief Customer Officer who will teach this to marketing staff, brand managers and community managers.